Denial of a Nation’s Haunted Past
People make mistakes and do something wrong almost every single day. Someone may hurt someone by calling him or her a bad name or perhaps they might lie to a friend about something important. The point is that people screw up and do things that may haunt their past. Most people own up to their mistakes and acknowledge them and apologize.
But what happens when a country makes the “mistake” of killing off mass amounts of people by way of genocide? Should they own up to this horrible mistake that lingers in their past? Most would argue that yes indeed, they should own up to these terrible events. Unfortunately, that is not the case of nations such as Germany during World War II, when Hitler systematically wiped out a huge chunk of the Jewish people, and it did not happen in the case of Turkey, who carried out the Armenian Genocide during the time of World War I in the year 1915. Author Elif Shafak uses the fictional characters in her novel to convey personal and national beliefs on how this terrible genocide is remembered and spoken about in Turkish and Armenian culture.
The novel titled The Bastard of Islam, written by Shafak, chronicles the life and times of two 19-year-old girls, one Armenian and one of Turkish descent. Both girls are fictional characters and both have to deal with deep, dark, secrets that have haunted the families’ pasts for years and years. Once again, Shafak uses these fictional families to convey her personal beliefs on how the Armenian Genocide is remembered and spoken about in Turkish and Armenian culture.
The Armenian Genocide began around 1915 and took place during World War I. The term genocide is defined as “the deliberate and systematic extermination of a national, racial, political, or cultural group” (Dictionary) and that is exactly what was attempted by the Ottoman Empire during this time. In 1915 the Ottomans arrested many of the top leaders of the Armenian communities and eventually decided to capture regular Armenian citizens in an attempt to wipe out the entire culture. These people were forced to march hundred of miles in the desert with no food and water, eventually dying of dehydration and starvation along the way. Many native Armenians were forced to escape the country and seek refuge elsewhere and many never returned.
After thousands of deaths, the genocide was eventually staved off with the help of Allied forces, but the damage had already been done. This attempted extinction of all Armenians has had a lasting impact on Armenians all around the globe. The key situation here is that the Turkish government and most of the citizens refuse to acknowledge this terrible act as genocide. They have essentially “buried” this haunted past, and never want it to be spoken of.
To this day, leaders of the Turkish still have yet to recognize the genocide, and citizens are even prosecuted if they speak out about it happening. There have been many writers, including Shafak herself, that have been put on trial for speaking out about the genocide, which is a violation of the Turkish law. Clearly the historical past is still haunting Turkey today, and it is clear that this past and the past of the fictional characters of the book are haunting them as well.
In the novel, the characters from both sides of this family are haunted by a terrible family secret from the past. We don’t find out this secret until the end of the book, but the fact there is a secret lingers on throughout the entire novel. Mustafa, who is one of the brothers from the Turkish side of the family, travels to the United States to try and avoid one of the curses of the family. It was believed that all the men of the Kazanci family all died early, so the family was trying to avoid this with Mustafa. They believed if he went to the United States he would be able to escape this so called “destiny.”
While in the US he marries Rose, who has a daughter from a previous marriage to an Armenian. Armanoush, Rose’s daughter, heads to Turkey to try and re-connect with her Armenian past. She meets Asya, who is the daughter of Mustafa’s sister Zehlia. Throughout the novel they learn a lot about each other and their backgrounds and different heritages.
This is where things get interesting and start to connect to the real life events of the Armenian Massacre of 1915. Throughout the book it is the Armenians who are against the writing of fiction novels. Meanwhile, the Turks are all for different types of stories and folk songs and such. The connection to real life here is that the Armenian people openly speak about the Armenian Massacre. They are against fiction, therefore they believe in the truth and this is where they would have a problem with what is going on in modern day Turkey.
Once again it is a crime in Turkey if you were to speak of the Armenian Massacre. The Turks have set this law to try and prevent their people from being harmed by the past. It is not spoken about and written about anywhere in Turkey. They do not teach it in schools and it is not a part of any Turkish history. They instead choose to “soften” what happened. They try and say that it wasn’t as bad, that it wasn’t genocide. This is the connection that is made in the novel. The Turks believe in these folk stories and are fond of fiction. It is almost there way of hiding the past so to speak. That is what the author is trying to convey, and she does a fine job in doing so.
Lastly, at the end of the story, the secret that has been teased about throughout the entire novel finally comes out. It is found out that Mustafa raped and impregnated his sister Zehlia. That means that Asya was born of incest and she is the Bastard the novel is referring to. This deep dark secret is the real reason why Mustafa was sent away. In the beginning of the story it is Zehlia looking to get the pregnancy aborted, and we finally know why.
This is the authors way of expressing the haunted past of the Turkish people. She is showing that the Turks have been hiding behind all this fiction and all these lies when it comes to speaking about the massacre. This secret has haunted the Turkish past in much the same way the family secret has haunted the Kazanci’s. It is not until the secret is finally revealed and acknowledged that everyone seems to be able to move forward.
This is what Shafak is implying needs to be done by the Turkish government. By speaking freely about the massacre in the novel, it shows that the Turks need to acknowledge this grave mistake of their past and move forward. The only way to be free of this haunted past is for it to get out in the open and be recognized. That is the only way it will happen, and that is the message that is shown throughout this novel.
In conclusion, Elif Shafak uses her fictional group of characters in her novel to send a message to the Turkish government. She speaks freely of the Armenian Massacre throughout the novel and shows that a haunted past will continue to haunt unless it is put out in the open. She is saying that the Turkish government needs to hold themselves accountable for the actions of their past in order to move on and maybe even be peaceful with the Armenian people. The Germans have acknowledged their horrible past, and they have been reaccepted by the world and have been able to move on. This is the message that is implied in this novel and it is shown through the fictional characters of the book.